PROVOCATIVE
The Ecology of Experimental
Music Performance in Canada
The Ecology of Experimental
Music Performance in Canada

publications


This is a list of articles, book chapters, and interviews that Ellen Waterman has published from Sounds Provocative: The Ecology of Experimental Music Performance in Canada.

Published:

 “Improvisation and the Audibility of Difference: Safa, Canadian Multiculturalism, and the Politics of Recognition.” Sounding Bodies: Improvisation, Representation and Subjectivity. Ed. by Gillian Siddall and Ellen Waterman. Duke University Press, 2016.

“The Ecology of Musical Performance: Towards a Robust Methodology.” Co-authored with Alice Boyle. Current Directions in Ecomusicology. Ed. Aaron Allen and Kevin Dawe. Routledge, 2015.

“Reflections on Music from the New Wilderness: a dialogue between Tyler Kinnear and Ellen Waterman.” The Western Front, Echoic Chamber, 2014. http://front.bc.ca/events/refelctions-on-music-from-the-new-wilderness-a-dialogue-between-ellen-waterman-and-tyler-kinnear/

“Send and Receive: Technology, Embodiment and the Social in Sound Art.” The Art of Immersive Soundscapes. Anthology and DVD. Ed. Pauline Minevich and Ellen Waterman. University of Regina Press, 2013.

“Listening Trust: The Everyday Politics of George Lewis’s “Dream Team”.” Co-authored with Julie Dawn Smith. People Get Ready: The Future of Jazz is Now! Ed. Ajay Heble and Rob Wallace. Duke University Press, 2013.

“Naked Intimacy: Eroticism, Improvisation, and Gender.” Critical Studies in Improvisation/Etudes critique en improvisation Vol 4.2, 2008.

“When it Rains: Experimental Music and The Cultural Ecology.” Essay on Gordon Monahan’s Aqueolian Harp installation of Sept 2007, commissioned by The Western Front and published in their Echoic Chamber archive, 2008.
http://front.bc.ca/events/when-it-rains-experimental-music-and-the-cultural-ecology

“I dreamed of other worlds” an Interview with Nicole Mitchell. Critical Studies in Improvisation/Etudes critique en improvisation Vol 4.1, 2008.

“Barnyard Drama’s chansons de métissage.” Musicworks 99(2007): 25-31.

“Lori Freedman: Clarinettist Immersed in Sound.” Interview. Musicworks 94(2006): 18-23.